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tous publiés aux Éditions Matière
posés là dans un carnet de croquis de format A4
de résistance
La Collection de l'Art Brut trouve finalement sa place à Lausanne
With no essay or introduction
Beyond the Image On Visual Culture in the Twenty-First Century HARMS INGEBORG/BOOM tous publiés aux Éditions MatièreToday, we do not believe in images anymore. This incredulity is, in part, the product of technology. From brainrot to deepfakes, from NFTs to sloppy content, the function of the image is not representation but only the reproduction of capital. In the twentieth century, the machine automated the hands of workers; in the twenty first century, it automates the eyes of consumers. The conveyor belt is upgraded by scrolling. In the age of electronic
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