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Janet Borden Gallery
as the heroine triumphantly exhibiting her culinary loot
Photographer Niall McDiarmid’s work is a joyful antidote against greyscale tones predominant across architecture
This initial impulse of discretion soon gave way to the more prosaic demands of life and work
Coaling crane base, Canon's Marsh 1979 Edition Number:16 These bear no relation toShot along Bristol's harbourside between 1978 and 1983, The Harbour chronicles a period of significant change for the city which reflects the wider experience of loss and regeneration in Britain at the time. After centuries during which the harbour was a central hub of the commerce of the city and great generator of its wealth, through fair and foul means, they had largely fallen silent. The end of that working life in the late sixties to the mid
