Sweet Movie cid_4287 whom she believes to have

whom she believes to have been killed

imperiling the existence of people who today call themselves Two-Spirits

evocative watercolors throughout

Through an oracular yet intimate and accessible voice

From jaunts through New York subways

Sweet Movie cid_4287 whom she believes to haveSweet Movies love poems and ekphrasis echo splintered versions of the same question: how do we navigate a world where the expectations of our performanceour presentation, our means of existenceare dictated by the viewers themselves? Mirroring the uncertain, unstable tenor of Duan Makavejevs controversial avant garde film Sweet Movie (1974), the voices in Sweet Movie are equal parts docile, feverish, and violent. This collection reimagines a feminist