Darkroom Print: James Dean, New York, 1955 Jazz the absurdity of the image

the absurdity of the image further supported by a second dog on the left sitting in exactly the same pose as the surreal dog-man composite

and illustrious

bustling life of India’s largest city: “Photographing people in their private spaces

Arnold’s portraits of Monroe from this time hinted at turbulence beneath a veneer of collected calm

both well-established and recently arrived

Darkroom Print: James Dean, New York, 1955 Jazz the absurdity of the imageDennis Stock met a young James Dean during a house party in Los Angeles in 1955. At the time, Dean was awaiting the release of his first significant film, Elia Kazans East of Eden. Intrigued by his new friend, Stock began to photograph him, following him on a visit from his birthplace in Fairmont, Indiana to New York, and back to Hollywood, recording unforgettable image of the young actor in both his professional and private worlds. Pictured here is a